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Senin, 06 Oktober 2014

Watch Jagten Online

Jagten (2012)Jagten (2012)iMDB Rating: 8.3
Date Released : 10 January 2013
Genre : Drama
Stars : Mads Mikkelsen, Thomas Bo Larsen, Annika Wedderkopp, Lasse Fogelstrøm
Movie Quality : HDrip
Format : MKV
Size : 700 MB

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Lucas is a Kindergarten teacher who takes great care of his students. Unfortunately for him, young Klara has a run-away imagination and concocts a lie about her teacher. Before Lucas is even able to understand the consequences, he has become the outcast of the town. The hunt is on to prove his innocence before it's taken from him for good.

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Review :

Classy and disturbing tale of small town injustice.

In Thomas Vinterberg's superb psychological thriller, The Hunt, a town turns on its kindergarten teacher, Lucas (Mads Mikkelsen), from the erroneous testimony of a little girl, Klara (Annika Wedderkopp), who accuses him of molesting her. She's also the daughter of his best friend, Theo (Thomas Bo Larsen), who believes along with the town that Lucas is guilty because children, especially his daughter, don't lie. Although Klara claims throughout she said a stupid thing and Lucas did nothing, his parents are convinced she is just reacting to the gravity and changing her story. Tragic blindness is not just the province of Oedipus.

The film's title, with bookending male hunting rituals, is obviously figurative for the hunt by the town's people for Lucas's well being. Only too swift is their condemnation, their righteous indignation, blinded by Salem-witch like certainty that he is guilty. The town's vigilante-like attitude is reminiscent of Frankenstein's townsfolk, hounding the monster without even trying to understand.

Beyond the figurative display of crowd wrong-headed mentality is the disturbing suggestion that at any time a life can be turned upside down without even being responsible. It also suggests that the only antidote is to keep believing in yourself.

Maybe more powerful is a sense of humor, which occurs occasionally in the film and is best exemplified when a friend, upon Lucas's return from police headquarters, shouts as Lucas embraces his son, "Hey! If you fondle your kid, you'll go back to jail." It's gallows humor, but it is effective. Just as effective as the ironic humor is the low-key, natural lighting, consistent close-ups, and ubiquitous hand-held camera work. It is an intimate business that closes in on everyone in the town, not just the innocent victim.

Having witnessed through this intense work of art the vulnerability all have in the face of a crowd mentality, we should remember the Chorus's final warning in Oedipus Rex: "Therefore wait to see life's ending ere thou count one mortal blest; Wait till free from pain and sorrow he has gained his final rest."

Sabtu, 26 Juli 2014

Streaming Django Unchained (2012) Online

Django Unchained (2012)Django Unchained (2012)iMDB Rating: 8.5
Date Released : 25 December 2012
Genre : Western
Stars : Jamie Foxx, Christoph Waltz, Leonardo DiCaprio, Kerry Washington
Movie Quality : HDrip
Format : MKV
Size : 700 MB

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Former dentist, Dr. King Schultz, buys the freedom of a slave, Django, and trains him with the intent to make him his deputy bounty hunter. Instead, he is led to the site of Django's wife who is under the hands of Calvin Candie, a ruthless plantation owner.

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Review :

Tarantino's Best, A Must See

I know claiming "Tarantino's Best" is quite a statement with such films as "Pulp Fiction" and "Inglorious Bastards", however I truly believe it is. Django Unchained is superb from start to finish, it's a 2 hour and 45 minute movie yet you're on the edge of your seat, eyes glued to the screen for the whole ride. It's the closest thing to a flawless movie I have ever seen. Before I continue my praise of this movie, let me say this "the movie is not for everyone." Clearly its rated R and it has several gruesome violent scenes, it also contains vulgar language and numerous uses of the "n" word. Some may claim it's excessive, but I personally appreciate how realistic it portrays the horror and tragedy of slavery. That being said, I am torn if I am more impressed with Tarantino as a writer of this movie or its director. He simply is a cinematic genius. The casting of this movie alone deserves an Oscar. Jamie Foxx, Christoph Waltz, and Leonardo DiCaprio all put on Oscar worthy performances, and frankly, I would be astonished if they all did not win. I truly can't picture any actor on this planet being able to play any of those three roles as magnificently as these three actors did. I sum this movie into three general thirds, First: where Waltz steals the show, Second: where DiCaprio steals the show, and Third: where Foxx steals the show. I have only seen Waltz in "Inglorious Bastards" other than "Django Unchained" and he is rapidly climbing my favorite actors list. Leo is my personal favorite actor ever since his performance in "The Departed" and it was incredible to see him take on the challenging role as his first villain, Calvin Candie, possibly the most evil character I've ever seen in a film. Finally Jamie Foxx from start to finish played his best performance in any movie to date. Simply phenomenal. I loved how the audience sees his character evolve from a powerless slave to a confident powerful man. In addition to these three remarkable performances, Kerry Washington and Samuel L. Jackson also deliver. Washington goes through living hell yet remains a strong woman throughout. Jackson plays a very interesting role as Stephen, Leo's loyal house slave. Trust me, you will hate him yet at the same time he is hilarious. Now's a good time to mention, this movie is funny! Tarantino perfectly tosses in frequent bursts of pure laughter throughout the movie to lighten up from the serious aspects of the movie. There is one scene in particular, involving Jonah Hill and Don Johnson, which had the crowd roaring in laughter for a solid full minute. Which brings me to my next point, the cast is absurd! The rather small roles for such big actors such as Jonah Hill and Don Johnson, just shows how honored actors are taking any role no matter how small for a Quentin Tarantino film. I recognized famous actors and actresses throughout the entire movie. There is one brief scene, where I believe I even saw famous rapper "Childish Gambino" for literally just a few seconds as a slave in Mississippi. This movie was done perfectly to a tee; even the remarkable soundtrack caught my attention, nicely combining songs of the past with modern day songs. This movie is a western, a drama, a tragedy, a comedy, an action, a thriller, and at it's deepest roots a romance. If you haven't already, stop what you're doing and see this movie today. Whatever you're doing can wait but this movie can't. Just make sure your 17, have your license, and have a stomach for more of the most gruesome violence I have yet to see on a screen. In conclusion, I've heard rumors of Tarantino pondering the idea of retiring as a director and Oo what a sad day that would be for movie lovers like myself, but if they are true at least he's going out with one hell of a BANG!

Jumat, 25 Juli 2014

Watch The Dark Knight Rises Online

The Dark Knight Rises (2012)The Dark Knight Rises (2012)iMDB Rating: 8.6
Date Released : 20 July 2012
Genre : Action, Crime, Thriller
Stars : Christian Bale, Tom Hardy, Anne Hathaway, Gary Oldman
Movie Quality : HDrip
Format : MKV
Size : 870 MB

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Despite his tarnished reputation after the events of The Dark Knight, in which he took the rap for Dent's crimes, Batman feels compelled to intervene to assist the city and its police force which is struggling to cope with Bane's plans to destroy the city.

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Review :

A Nutshell Review: The Dark Knight Rises

There are plenty of elements that made this film work, so I suppose we can tick them off one by one. For starters, the continuation on the focus of Bruce Wayne's story, which has made it all tick. This version of Bruce Wayne and Alfred become the familiar characters we're accustomed with since 2005, and the film invests heavily on the emotional bonding between the two, which deals back to the theme about fear that rears its ugly head again, and how a father figure cannot stand idly by to watch the one he brought up recklessly charge into battle after a long hiatus, and hoping for a life of normalcy with the mantle of the bat given up. Michael Caine may have a shorter screen time than before, but no less powerful.

When Sam Raimi had to put the popular and powerful Venom into Spider-man 3 pretty much against his wishes, we all knew how that turned out to be, effectively killing off the franchise until the decision to reboot it. There may be some similar fears with the introduction of a fairly contemporary villain in Bane, but the story gave him more purpose and meaning, and Tom Hardy was excellent par none in this role as the compete villain - with plenty of brawn, merciless, masterful, and with a plan any terrorist would be proud of. If the Scarecrow meant to induce fear, and the Joker to create chaos, Bane is carnage incarnate. Tom Hardy, even being the requisite mask, is fearful, and while the designs of his plan may dwarf the Joker's in complexity, it sure rivaled his in terms of delivery, and execution. Anyone in his path gets shoved aside with deadly consequences, and anyone alive is only because there is of further use. No hesitation, and no compromise.

And Nolan continues with the introduction of a lot more villains big and small, behind a mask or otherwise, in his Bat films than anyone would credit him for, especially when having those whose lines are blurred, or corrupt to the core and hiding behind social status and fortune. This in turn provides for another arc that boils underneath the main narrative, where the rich and powerful continue to enjoy their successes at the expense of the have-nots, and the Occupy Movement in a way being a very real parallel to the proceedings on screen. While the mobsters were clearly at the top of the food chain in the earlier Nolan films, this one shifted focus to politicians and the elite community, with their fair share of scandals and corporate greed.

While Bane was to the point, Selina Kyle played by Anne Hathaway, is both sensual and a force to be reckoned with herself, being like how she's best portrayed, on the fence. There's a bit of Frank Miller's Year One in this one given the presence of Juno Temple's Holly, and the back to basics as a jewel thief, compared to the mousy secretary in Tim Burton's Batman Returns with Michelle Pfeiffer defining the role, and the garbage that was Halle Berry's. Anne Hathaway nailed this one with what would be a truly memorable outing, and as if a homage of sorts to Burton's second Batman film, that the repartee between Bruce Wayne and Selina Kyle at a party became one of the highlights here, as does her thievery and combat ability. She may lack her whip, but more than makes up for it with her steel stiletto heels, and the very sensual and sleekly designed feline moves that you'd wonder how they got delivered while wrapped under that skin tight suit.

And not only is the technology put on screen fictionally impressive, the technical aspects behind the scenes also worked wonders, chalking up serious mileage in having more than an hour's worth of footage shot on the IMAX format. Wally Pfister's cinematography continues to impress with that staying consistent to the gritty look and feel developed for all the Bat films to date, before his departure into a film director's role for his next project. Hans Zimmer also probably developed the best score for Nolan's Bat films, and I dare say without which this film would be less stellar, with the score playing a huge role in adding plenty of character and emotion to the film, lifting it up with excitement during the many set action pieces, with recognizable themes assigned to major players, heightening dangers, and providing a boost to the many feelings in this one heck of an action-adventure.

With how things developed at the end, and what I felt was initial horror of sorts with Batman out in broad daylight, secret identity being porous and all, this film ended in what would be the best way possible - with possibilities, and a twinkle of an eye, Inception style with a did it, or did it not. Twists, turns, surprises and sleight of hand, making it a clear favourite as one of the best this year. Do yourself a favour and watch it in the IMAX format, just as it was intended.

Because you have just got to believe in Christopher Nolan, and the kind of films he has so far delivered. Take a bow, bat-crew, for a trilogy that has now set the bar for any comic book film, and especially any other follow Batman movie, reboot or otherwise, to live up to.