Professional photographer L.B. "Jeff" Jeffries breaks his leg while getting an action shot at an auto race. Confined to his New York apartment, he spends his time looking out of the rear window observing the neighbors. He begins to suspect that a man across the courtyard may have murdered his wife. Jeff enlists the help of his high society fashion-consultant girlfriend Lisa Freemont and his visiting nurse Stella to investigate.
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Review :
It really blows me away...
I first saw Rear Window about 4 years ago in a video/film program that I was attending. At that time I was simply blown away by it.
For starters, I was simply impressed w/ the set. The fact that you can see out of Jeffries' apartment window, across the courtyard and into the other tenant's apartments to see their goings on is incredible. The music used is a musician tenant creating a piece. The fact that it ebbs and flows w/ the action, until the very end when you actualy hear the finished piece committed to vinyl is really cool.
I liked the fact that you only see what Jeffries sees and therefore have to try and guess what actually happened.
While the movie, in a way is actualy about nothing, yet it is about voyeurism and to a lesser degree about love between two apparently different people. However, that is a side line to the actual plot.
for Hitchock, this film uses suspense, rather than gross thriller, such as Psycho or the Birds did to draw you into the film. I've seen it many times and always get something out of it every time. I own a non restored copy on tape and watch it at least twice a year-or more.
It's simply one of the best movies ever made that I've seen and one of my all time favorites. A near perfect movie if I say so myself.
Hitchcock realy paid attention to detail in this movie. The fact that you see "miss Lonely Hearts" actions, Even Lars Thorwald's action is incredible. The attention to detail is simply incredible.
American History X (1998)iMDB Rating: 8.6 Date Released : 18 December 1998 Genre : Crime, Drama Stars : Edward Norton, Edward Furlong, Beverly D'Angelo, Jennifer Lien Movie Quality : HDrip Format : MKV Size : 700 MB
Derek Vineyard is paroled after serving 3 years in prison for killing two thugs who tried to break into/steal his truck. Through his brother, Danny Vineyard's narration, we learn that before going to prison, Derek was a skinhead and the leader of a violent white supremacist gang that committed acts of racial crime throughout L.A. and his actions greatly influenced Danny. Reformed and fresh out of prison, Derek severs contact with the gang and becomes determined to keep Danny from going down the same violent path as he did.
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Review :
The Most Dangerous Person To Us Is Ourselves
American History X is a movie of its own. It has a little bit of everything in the way it touches you. This of course making it a very though provoking film. There isn't a genre you can place this film in because it is a not a crime story, action or even a simple drama instead it is a humanistic thriller. What it is about, is the battle over ourselves.
Who better than to display these wild but common complexities within people than Edward Norton. The range he shows here is astounding in only his fifth movie. Norton plays Derek Vinyard, a skin head that realizes through cruel yet necessary events in his life that he has gone down the wrong path. When he comes out of jail he attempts to stop his brother played Edward Furlong from going down the same road he had done. Through all his efforts though some things just prove to be inevitable. Avery Brooks also gives a great performance as Derek Vinyard's former teacher and now principal of his former school. His words may not be of the most inspiring but his actions and messages sent across are subtle yet strong and to the point.
Norton's performance though wasn't just about range but exploring different dimensions of life. Whether it proved to be psychological, social or even political on a certain level. It is a transforming performance revealing something mind blowing and eye opening. That we, and this includes anyone, can take a devastating turn in life no matter how intelligent we are or thoughtful. That the person that determines the outcome of your life is yourself whether it is good or bad. Norton's realizations aren't through teachings such as the ones that got him in jail but they are through the events in the time he spent in jail. He saw the truth for himself realizing then what is false and what is real.
The screenplay written by David McKenna is about as versatile as the performance Norton gives. Not only because of the Derek Vinyard character but because of the characters involved in his life. For example the root of his evil did not come from the murder of his father but rather his father himself. Through just a conversation at breakfast did his negative thoughts get really embedded eventually then leading to them dramatically taking over his mind and way of life. Only when his father got killed did these negative thoughts seem justified. The way this screenplay and direction was able to display this message in just a plethora of other underlying tones was spectacular.
What makes this movie great though is that you can truly find yourself in the messages delivered. As much as the main character might not seem relevant or connected to many people it his emotions and functioning of his mind that all of us are able to connect with. Yet what makes a movie great is not simply the message or messages sent across but how powerfully they are delivered. American History X delivers its multiple and intertwining messages about as powerfully as I've seen from a film.
Psycho (1960)iMDB Rating: 8.6 Date Released : 8 September 1960 Genre : Horror, Mystery, Thriller Stars : Anthony Perkins, Janet Leigh, Vera Miles, John Gavin Movie Quality : BRrip Format : MKV Size : 700 MB
Phoenix officeworker Marion Crane is fed up with the way life has treated her. She has to meet her lover Sam in lunch breaks and they cannot get married because Sam has to give most of his money away in alimony. One Friday Marion is trusted to bank $40,000 by her employer. Seeing the opportunity to take the money and start a new life, Marion leaves town and heads towards Sam's California store. Tired after the long drive and caught in a storm, she gets off the main highway and pulls into The Bates Motel. The motel is managed by a quiet young man called Norman who seems to be dominated by his mother.
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Review :
Hitchcock and Herrmann
Robert Bloch wrote the original work, Joseph Stefano adapted it into a tight screenplay but it was Alfred Hitchcock with the extraordinary complicity of Bernard Herrmann who transformed this lurid tale into a classic, horror masterpiece. The score propels us into the moment before the moment arrives provoking the sort of anticipation that verges on the unbearable. The fact that the key scenes have become iconic film moments: copied, imitated, emulated and parodied, have not diminished its impact, not really. The anticipation, underlined by Herrmann's strings, creates a sort of craving for the moment to arrive. That doesn't happen very often. No amount of planning can produce it or re-produce it - otherwise how do you explain the Gus Van Sant version - so, the only possible explanation is an accident, a miraculous film accident and those do happen. Everything falls into place so perfectly that even the things that one may argue are below the smart standard of the film, are needed, the film without every frame is not quite the film. Try to turn away after the climax during Simon Oakland's long explanation. You can't. I couldn't. Partly because you know you'll soon be confronting those eyes, that fly, the car...
Raiders of the Lost Ark (1981)iMDB Rating: 8.6 Date Released : 12 June 1981 Genre : Action, Adventure Stars : Harrison Ford, Karen Allen, Paul Freeman, John Rhys-Davies Movie Quality : HDrip Format : MKV Size : 700 MB
The year is 1936. A professor who studies archeology named Indiana Jones is venturing in the jungles in South America searching for a golden statue. Unfortunately, he sets off a deadly trap doing so, miraculously, he escapes. Then, Jones hears from a museum curator named Marcus Brody about a biblical artifact called The Ark of the Covenant, which can hold the key to humanly existence. Jones has to venture to vast places such as Nepal and Egypt to find this artifact. However, he will have to fight his enemy Renee Belloq and a band of Nazis in order to reach it.
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Review :
A wonderful movie, but I still prefer The Last Crusade.
Rating: **** out of ****
There is no doubt in my mind that Indiana Jones is the best movie series in the history of cinema. And the one start it all was Raiders of the Lost Ark, a fast-paced adventure packed with one death-defying cliff-hanger situation after another. To this day, Raiders remains one of the best action movies, holding up better than most of today's rapid-cut, MTV-style "thrill rides." Raiders relied on no CGI, no flashy editing, just pure, exhilarating film-making and storytelling, a combo of its kind that has only been surpassed by its second sequel, Indiana Jones and the Last Crusade.
Harrison Ford stars as Jones, an archaeologist who dresses in a brown coat and fedora, armed with a revolver and lion-taming whip. A delightful opening involving elaborate booby traps informs us he's used to these adventures (especially his even closer brushes with death in Temple of Doom, which was a prequel). When he returns to the states from his latest "excavation," he's informed by the military that the Nazis are after the ark of the covenant, an artifact that could possess the power to make the Nazis an invincible army. So Jones sets out to retrieve the ark first, in what will prove to be one of his greatest adventures.
There's probably little doubt that Raiders is the fan/critical favorite of the trilogy, but there are a few things that I actually have to gripe about, blasphemous as it may be. For one, even though the story is excellent, it's not without its holes. Most perplexing is in the film's opening scenes, when we wonder why Jones bothered to bring along potentially traitorous porters when it's such a short distance from the river to the cave temple. Also (spoilers), one needs only to see the film once to realize that if Indy had never tried to intercept the Ark, the Nazis would a) have never found it or b) still would have suffered the same horrible fate regardless.
The action sequences are superb, though an early bar shootout isn't quite as adrenaline-pumping as it could be and looks quite bland compared to the film's other action scenes. Thankfully, the following street chase is playful and exciting and keeps the joyous momentum flowing. Overall, I'd still argue that both Temple of Doom and The Last Crusade boast more inventive action but there's no questioning that the action scenes in Raiders are fantastic and likely superior to any film you may have seen the last few years.
As bitchy as I may sound, I'm not trying to harp on Raiders, at least not too much. The movie does feature the famous (and deservedly so) truck chase, one of the most unbelievably thrilling and exhilarating action setpieces I've ever seen (and given an extra boost by John Williams' beautifully rousing score). To this day, even with the recent chase scenes in The Matrix Reloaded and Terminator 3, this sequence has yet to be surpassed.
Other standout sequences include a sarcophagus almost entirely decorated with snakes, imposing statues, and well-preserved mummies, and Jones' mano-a-mano battle with a seemingly impervious Nazi mechanic. The finale takes the film dangerously close to the horror genre, climaxing things with a truly memorable (and quite frightening) light show for the ages. Every Indiana Jones film has a scene that scarred me as a kid and I think every one who's seen Raiders knows what I'm referring to (as well as its sequels)
I've said it before, Harrison Ford is wonderful as Jones, embodying a hero that's cool beyond words, yet still entirely human and believable. The supporting cast isn't as up to par: Paul Freeman makes for a decent but not particularly menacing villain as Belloq and Karen Allen is somewhat annoying as Indy's love interest, but there are an equal share in gems, particularly Denholm Elliot as Marcus Brody and John Rhys-Davies as Sallah (The Last Crusade wisely gave these actors/characters more screen time).
Raiders of the Lost Ark was revolutionary cinema, paving way for summer blockbusters that would attempt for the same winning mix of thrills and humor. Only its sequels matched and/or surpassed it, but some have actually come close (The Mummy). If you haven't seen Raiders yet, put it on the top of your list.
Life Is Beautiful (1997)iMDB Rating: 8.6 Date Released : 12 February 1999 Genre : Comedy, Drama, Romance Stars : Roberto Benigni, Nicoletta Braschi, Giorgio Cantarini, Giustino Durano Movie Quality : HDrip Format : MKV Size : 700 MB
In 1930s Italy, a carefree Jewish book keeper named Guido starts a fairy tale life by courting and marrying a lovely woman from a nearby city. Guido and his wife have a son and live happily together until the occupation of Italy by German forces. In an attempt to hold his family together and help his son survive the horrors of a Jewish Concentration Camp, Guido imagines that the Holocaust is a game and that the grand prize for winning is a tank.
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Review :
The most aptly named movie - A classic
I have never in my life seen a movie that so truly symbolizes its name and its message. Roberto Benigni - 'The Italian Treasure House' has probably given to his viewers his best. The story, the performances, the entire theme of a person performing his duties as a husband, as a father is very 'moving' and inspiring. 'Life is beautiful' as the name goes is about a Jewish man, who falls in love with a non-Jewish lady, marries her, has a kid and who is then taken as a prisoner in a concentration camp along with his wife and kid. But the way he protects his kid from the horrors of the genocide, how he always tries to find ways to make his wife and kid smile and laugh, is what makes the movie, a MUST SEE.
It is certainly one of the best movies that I have seen.
Casablanca (1942)iMDB Rating: 8.6 Date Released : 4 April 1947 Genre : Drama, Romance, War Stars : Humphrey Bogart, Ingrid Bergman, Paul Henreid, Claude Rains Movie Quality : HDrip Format : MKV Size : 870 MB
In World War II Casablanca, Rick Blaine, exiled American and former freedom fighter, runs the most popular nightspot in town. The cynical lone wolf Blaine comes into the possession of two valuable letters of transit. When Nazi Major Strasser arrives in Casablanca, the sycophantic police Captain Renault does what he can to please him, including detaining a Czechoslovak underground leader Victor Laszlo. Much to Rick's surprise, Lazslo arrives with Ilsa, Rick's one time love. Rick is very bitter towards Ilsa, who ran out on him in Paris, but when he learns she had good reason to, they plan to run off together again using the letters of transit. Well, that was their original plan....
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Review :
A Classic Worth Remembering
While there's not anything new to be said about "Casablanca", it's good to see one of the classics still getting some attention. By most standards it is at least very good, and there are good reasons why so many still remember it so fondly. Not everyone who watches it today shares the opinion that it is a classic, but it's still good to see fans of modern movies giving it a try for themselves.
The cast is one of its main strengths, not just Bogart and Bergman but also the fine supporting cast. Rains, Greenstreet, Lorre, and the others are indispensable to the atmosphere and the story, and each has some very good moments. It does have its imperfections, but it was not expected to be a classic or blockbuster - everything you read about the production suggests that it was made in a rather slap-dash fashion, under constraints that would have wrecked most other films. It's not hard to see the little ways that this affected the finished product, such as the times when the plot strains credibility a bit, or the characters seem to behave somewhat oddly. (In particular, it might have been even more satisfying if Bergman's character had been a little stronger - Ilsa is charming, but that's entirely thanks to what Bergman does with her; the character herself as written seems somewhat shallow.)
But it turned out anyway to be an excellent combination of actors, characters, and story, a combination that more than makes up for everything else. Different viewers probably remember and enjoy "Casablanca" for different reasons, because it seemingly has a little of everything. While perhaps not perfect, it is well worth remembering and watching.
Léon: The Professional (1994)iMDB Rating: 8.6 Date Released : 18 November 1994 Genre : Crime, Drama, Thriller Stars : Jean Reno, Gary Oldman, Natalie Portman, Danny Aiello Movie Quality : HDrip Format : MKV Size : 700 MB
Mathilda, a twelve-year old New York girl, is living an undesirable life among her half-family. Her father stores drugs for two-faced cop Norman Stansfield. Only her little brother keeps Mathilda from breaking apart. One day, Stansfield and his team take cruel revenge on her father for stretching the drugs a little, thus killing the whole family. Only Mathilda, who was out shopping, survives by finding shelter in Léon's apartment in the moment of highest need. Soon, she finds out about the strange neighbour's unusual profession - killing - and desperately seeks his help in taking revenge for her little brother. Léon, who is completely unexperienced in fatherly tasks, and in friendships, does his best to keep Mathilda out of trouble - unsuccessfully. Now, the conflict between a killer, who slowly discovers his abilities to live, to feel, to love and a corrupt police officer, who does anything in his might to get rid of an eye witness, arises to unmeasurable proportions - all for the ...
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Review :
Masterpiece of violent Characterisations and fast action-shooting
An interview with Anne Parillaud, in the Evening Standard, 24.8.90, it was said that the message of Nikita is not one of violence but the idea is that people who are full of despair and missing love are not alone.
This idea continues in Léon. Léon was Besson's first foray into international film production. The similarities, or parallels, between Nikita and Léon are undoubted. Both the central protagonists attempt to come to terms with their dysfunctionality, to society, against a background of violence, which they both continue to act upon as the agent of someone else. There is no clean difference (we may also include Le Dernier Combat for comparison.) The only difference is gender.
I always found that until obtaining the "Version Integral" there was a character hole in the plot. The original cut released for US audiences was felt, by Besson, had an "offending" scene cut which ruined later scenes. The American test audiences hated it, seeing it as perverse and paedophiliac. The film was still panned by US critics as quasi-child pornography on general release. What it to be understood about this film, and this is what infuriated Besson, is that the film is about pure love. Not sex, which is all the Americans, could see.
And so we have ascertained that the characters in Besson's films are, simply, great. Then there is the action which is all the grace and style of Nikita. Typical of Besson's style with fast action-shooting and violent characterisation. This has to be one of Jean Reno's and by far Natalie Portman's best screen performance. To me, Gary Oldman plays his part to the tee, said by some magazines to be the best screen bad guy - it is one of his best performances.
Stylisation and excess are hallmarks of Besson's work. Characters are larger than life. Décors are in excess of realism. Besson's characters lack psychological depth. "The sumptuous and the ornate cohabit with the violent or the vulgar." Besson's use of excess is also extremely playful mixing violence with humour. Besson's work appeals to the tastes of popular culture and may not please that of the elite - arguably a reason for the rejection of his work by many intellectual film journals.
I have yet to hear of a person putting a bad word against this film. There is nothing I can personally fault so I give this film 10/10, a score only two other somewhat different films hold in my IMDb list of 345 films - "The Wizard of Oz" and "La Cité des Enfants perdu". If you like French Cinema or consider yourself a cinephile you must see the latter.