12 Angry Men (1957)iMDB Rating: 8.9 Date Released : 1 April 1957 Genre : Drama Stars : Henry Fonda, Lee J. Cobb, Martin Balsam, John Fiedler Movie Quality : BRrip Format : MKV Size : 870 MB
The defense and the prosecution have rested and the jury is filing into the jury room to decide if a young Spanish-American is guilty or innocent of murdering his father. What begins as an open and shut case of murder soon becomes a mini-drama of each of the jurors' prejudices and preconceptions about the trial, the accused, and each other. Based on the play, all of the action takes place on the stage of the jury room.
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Review :
A Classic not to be Missed
The plot of12 Angry Men revolves around the murder trail of a Latino boy who is accused of killing his father. The conviction of the boy would mean a death sentence and the destiny of the boy's life is in the hands of twelve male jurors of ranging personalities. The case seems open and shut with a murder weapon and several witnesses to place the boy at the scene of the crime. For eleven of the jurors the decision is apparent that the boy is guilty but for one juror, Mr. Davis (Henry Fonda), the boy's life should entail some discussion to eliminate any reasonable doubt the jurors may have. As the film progresses the personalities of the jurors become apparent and many underlying issues influence the guilty decision chosen by the majority of the jurors.
The underlying issues are the complexity of the personalities of the jurors and the reasons why they have the motivation to feel and act the way they do. As the case unfolds further, more is learned about each juror individually. The personalities range from being a short-tempered loud mouth to a straight- laced accountant who never breaks a sweat. As the movie progresses much more is learned of the characters that exposes the intricacy of human nature and people's different personality traits.
This film is an excellent example of movie making that does not require elaborate sets to entertain the viewer. The majority of the film takes place in a jury room with the men never leaving the room from their deliberation responsibilities. The cast and dialogue make this film memorable and the film has some clear moral issues that are addressed. The main issue is that not everything is as it seems. With further analysis the understanding of a situation becomes more concrete enabling the men to make a solid decision that affects a young man's life. 12 Angry Men is a classic film that should not be missed.
Schindler's List (1993)iMDB Rating: 8.9 Date Released : 15 December 1993 Genre : Biography, Drama, History Stars : Liam Neeson, Ralph Fiennes, Ben Kingsley, Caroline Goodall Movie Quality : HDrip Format : MKV Size : 700 MB
Oskar Schindler is a vainglorious and greedy German businessman who becomes unlikely humanitarian amid the barbaric Nazi reign when he feels compelled to turn his factory into a refuge for Jews. Based on the true story of Oskar Schindler who managed to save about 1100 Jews from being gassed at the Auschwitz concentration camp. A testament for the good in all of us.
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Review :
Extremely Brilliant
When I first saw that Spielberg was behind the movie, I had my doubts since his earlier work doesn't really fall into this category, but I held faith and I have not been disappointed! From the beginning it is such a powerful and moving film and it brought tears to my eyes more then once. It is completely set in Black & White, except for the Red Coat Girl which is pure genius, since it really helps develop the time period it was portrayed in.
The Actors too were completely fantastic! Every single actor and extra seemed to be doing their very best and really lived their roles, especially Ralph Fiennes, who was brilliant as the twisted Nazi Amon Goeth. Not just anyone could make that character real and get away with it. All of the characters in the film have depth and substance and the best thing was that you actually see a few of the Jewish people throughout the entire film so we can sympathize with their tale more.
It's a film to watch if you enjoy depth and meaning. 9 Stars, Excellent Film!
The Good, the Bad and the Ugly (1966)iMDB Rating: 9.0 Date Released : 29 December 1967 Genre : Adventure, Western Stars : Clint Eastwood, Eli Wallach, Lee Van Cleef, Aldo Giuffrè Movie Quality : BRrip Format : MKV Size : 700 MB
Blondie (The Good) is a professional gunslinger who is out trying to earn a few dollars. Angel Eyes (The Bad) is a hit man who always commits to a task and sees it through, as long as he is paid to do so. And Tuco (The Ugly) is a wanted outlaw trying to take care of his own hide. Tuco and Blondie share a partnership together making money off Tuco's bounty, but when Blondie unties the partnership, Tuco tries to hunt down Blondie. When Blondie and Tuco come across a horse carriage loaded with dead bodies, they soon learn from the only survivor (Bill Carson) that he and a few other men have buried a stash of gold in a cemetery. Unfortunately Carson dies and Tuco only finds out the name of the cemetery, while Blondie finds out the name on the grave. Now the two must keep each other alive in order to find the gold. Angel Eyes (who had been looking for Bill Carson) discovers that Tuco and Blondie meet with Carson and knows they know the location of the gold. All he needs is for the two to ...
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Review :
Classic
Rather than a review of a 30 year old movie, here is my recollection of a 30 year old movie. When was the first time you saw this movie? I remember the first time I saw this movie. Back in the '70s, one night there was 2 things on TV to choose from, this movie or a baseball game. How do I remember a baseball game, it was the night Hank Aaron was going after Babe Ruth's homerun record. Baseball or a movie. Tuned into the the baseball game, flipped to the movie -a western, cool. 'Uh, what is this no one is talking it makes no sense'. After what seemed like an eternity somebody finally spoke, Lee van Cleef. The rest is Movie History. Since then I have seen this movie well over 25 times. Numerous lines that have been etched into my memory. Forget whatever minor flaws this movie has. Put yourself in the movie. Sergio Leon, John Ford these are the people that defined "The Western". On a scale of 1-10, The Good, The Bad, and The Ugly is nothing less than a 10. Plop the tape into the VCR, sit back and experience a classic.
Pulp Fiction (1994)iMDB Rating: 9.0 Date Released : 1 December 1994 Genre : Crime, Drama, Thriller Stars : John Travolta, Uma Thurman, Samuel L. Jackson, Bruce Willis Movie Quality : HDrip Format : MKV Size : 870 MB
Jules Winnfield and Vincent Vega are two hitmen who are out to retrieve a suitcase stolen from their employer, mob boss Marsellus Wallace. Wallace has also asked Vincent to take his wife Mia out a few days later when Wallace himself will be out of town. Butch Coolidge is an aging boxer who is paid by Wallace to lose his next fight. The lives of these seemingly unrelated people are woven together comprising of a series of funny, bizarre and uncalled-for incidents.
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Review :
Awesome!
I just finished screening this movie for the first time after putting it off for a number of years because of what seemed like equivocating appraisals from some of my friends. In hindsight, however, it seems to me that while the movie must have definitely bowled them over, overall they weren't sure exactly what to make of it or how to articulate what were probably a confused mix of feelings. But I am so impressed that I feel compelled to add a few specific observations to the many fine reviews already on this database.
First, this movie hits you with an impact somewhere in between, say, APOCALYPSE NOW and A CLOCKWORK ORANGE, and for some people may be just as disturbing (however, in this respect I am happy to report I didn't think it rose to the level of NATURAL BORN KILLERS). Full of graphically violent action and language, PULP FICTION is not a picture for everyone - I would definitely not recommend it to my parents, born in the 1930's (even to my one fairly "hip" relative of the same generation who, at age 66, still teaches high school sex education and likes to talk about things like sunbathing nude, among other potentially sensitive issues).
Irrespective of audience sensibilities, however, the film-makers, supported by superb acting in every role, manage to create a world full of the most fascinating sleazy characters possibly ever to appear on screen. From Travolta's pronounced almost-child-like curiosity about the world to Jackson's sincere and thoughtful philosophical ruminating and Willis's deep devotion to the memory of his father, I think such fascination lies not only in the characters' personalities as they are portrayed but in the way they tantalize the viewer into considering the possibility that such people could actually exist. As a lawyer of some years' experience dealing with all sorts of people I was particularly drawn to this aspect of the film.
Thus, and in response to some other reviewers' comments, I think this movie is more character-driven than plot-driven. Instead of a story peopled by basically weakly developed characters employed primarily as a mere device to move the plot along, as is too frequently the case in the movies (especially these days), the undeniably strong, clever, and unpredictable plot lines in PULP FICTION are actually of essentially secondary interest and importance, serving primarily as vehicles to get you worried about the fate of characters you can't help caring about despite the truly low attributes that otherwise form the basis for their respective personas. As at least one other reviewer noted, when the film ends you are actually disappointed, left craving more of these crazy people and their explosive lives.
Finally, and as strange as it may sound, this film reminds me of another Monumentally Great Film which one would never typically associate with it in any way in a million years - CASABLANCA. As in that film made way back in 1942, and as another reviewer has suggested, perhaps its special appeal - its unusually high degree of emotional impact - lies in its distinctly successful simultaneous application of several different genres in a single film - drama, action, dark humor - with the whole thing bound together by essentially flawless execution in every department. And while CASABLANCA is no doubt clearly much more wholesome and high-minded, like the older film PULP FICTION is not without a pronounced theme of redemption, even if it is not as strongly felt, considering all the later film's sleaze and violence.
In sum, when people say that this is probably the best film of the 1990's, it is easy to see why. Fundamentally a truly outstanding movie, it is a must-see for anyone who considers themself a film buff and can handle graphic subject matter.
(Incidentally, if you would like a more toned-down, much more overtly humorous and less serious picture with a not-altogether dissimilar look and feel, don't miss another 1990's Travolta picture, GET SHORTY.)
The Dark Knight (2008)iMDB Rating: 9.0 Date Released : 18 July 2008 Genre : Action, Crime, Drama, Thriller Stars : Christian Bale, Heath Ledger, Aaron Eckhart, Michael Caine Movie Quality : HDrip Format : MKV Size : 700 MB
Batman raises the stakes in his war on crime. With the help of Lieutenant Jim Gordon and District Attorney Harvey Dent, Batman sets out to dismantle the remaining criminal organizations that plague the city streets. The partnership proves to be effective, but they soon find themselves prey to a reign of chaos unleashed by a rising criminal mastermind known to the terrified citizens of Gotham as The Joker.
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Review :
Heath Ledger's Dark and Brilliant Swan Song
I couldn't believe "The Dark knight" could live up to the hype. That's perhaps the biggest surprise. The secret, I believe, is a stunning, mature, intelligent script. That makes it the best superhero movie ever made. As if that wasn't enough, Heath Ledger. He, the newest of the tragic modern icons present us with a preview of something we'll never see. A fearless, extraordinary actor capable to fill up with humanity even the most grotesque of villains. His performance is a master class. Fortunately, Christian Bale's Batman is almost a supporting character. Bale is good but there is something around his mouth that stops him from being great. "The Dark Knight" is visually stunning, powerful and moving. What else could anyone want.
The Godfather: Part II (1974)iMDB Rating: 9.1 Date Released : 20 December 1974 Genre : Crime, Drama Stars : Al Pacino, Robert De Niro, Robert Duvall, Diane Keaton Movie Quality : HDrip Format : MKV Size : 700 MB
The continuing saga of the Corleone crime family tells the story of a young Vito Corleone growing up in Sicily and in 1910s New York; and follows Michael Corleone in the 1950s as he attempts to expand the family business into Las Vegas, Hollywood and Cuba.
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Review :
Excellent, but could be in the dictionary under "sprawl"
Series note: It is almost unthinkable to watch this film without having seen The Godfather (1972) first. This is a direct continuation of that story.
The good news is that The Godfather Part II has many amazing qualities, including fantastic performances from a superb cast, sublime, unprecedented visuals that no one else has been able to capture since, and very engaging stories. The bad news is that this should have easily been a 10, but overall, it is so sprawling and unfocused that I can't possibly give it more than a 9, which it only earns because the assets transcend what's basically a mess overall. Because it should have been a 10, and most other reviews will tell you about the positive points at length, I may pick on more things in my review than you would think I would for a 9, but rest assured that even with the flaws, The Godfather Part II is still essential viewing.
Director/co-writer Francis Ford Coppola cleverly begins the film with parallels to The Godfather. We see Michael Corleone (Al Pacino) "in the role" of his father, Vito (Marlon Brando), from the first film, accepting prostrating guests while a party is going on outside. Like the first film, the party consumes a lot of time while we get to know some of the principal characters. Perhaps during this segment, perhaps a bit after, we realize that maybe the beginning wasn't so clever after all, because the structure of The Godfather Part II parallels The Godfather from a broad perspective, as if Coppola and co-writer Mario Puzo used the first film as something of a template to create this one.
After the party is over, there is an attempted hit on Michael, and we quickly learn that not everything is rosy in the Corleone's mafia world. Michael believes that someone on the "inside" was involved with the hit. This launches a complicated sequence of events that has Michael, who is now living in Nevada, traveling to Miami, Cuba, New York, and so on. He accuses different people of involvement in the attempted hit depending on whom he is talking to. This may have all been part of a grand scheme to set up the responsible parties, but one of the flaws of the film is that Coppola doesn't convey Michael's underlying thoughts about this very well, not even later, and not through his actions. Rather than feeling like a clever set-up, it starts to feel like slightly muddled writing.
During the middle section of the film, which goes on for hours, we also have a hint of a problem that plagued The Godfather--a bloated cast. There are bit too many characters who aren't well enough presented or explained. You may need to keep a scorecard.
Coppola and Puzo also treat us to many extended "flashback" segments, and I mean way back, to Vito as a boy and young man, played by Robert De Niro. For my money, these were the best scenes of the film, although maybe that's a bit of my bias creeping in, as I'm a huge De Niro fan.
But let's talk about the main plague of the film--sprawl. This is maybe first evident in the flashbacks. As good as they are, they go on far too long, and happen far too frequently, to sustain the momentum of either the Michael story or the Vito-as-a-youngster story. It begins to feel like we're toggling back and forth between two films, which is the track that should have been taken. The prequel, at least, would have been a solid 10.
There's also a lot of sprawl in the Michael Corleone segments. Coppola appears to have been suffering from what I'd now call "J.K. Rowling Syndrome". That happens when an artist becomes successful enough that they can fire or ignore their editor(s). Instead of taking good advice about where to trim fat, the artist decides to just leave much of it in, and they now have the clout to override any dissenting and more sensible opinions. The Michael Corleone story has a lot of fat, including much of the Cuba material (for example, sitting around the table with the President, laboriously passing around a solid gold telephone), the Senate hearings (which go on far too long to make and provide the dramatic points), and so on.
The film begins to feel more like a couple seasons of a television show that Coppola tried to cram into a 3 and a half hour film, or worse, a collection of deleted scenes. The scenes, except for the fat that needed to be trimmed, are excellent in isolation. But by the time the climax rolls around, the whole has more of an arbitrary feeling--this is especially clear in the dénouement, which seems to just end.
I've barely left myself room to talk about the good points. The first one, which most people mention, is the acting. There isn't a bad performance in the film, but Pacino, De Niro, and some relatively minor characters, like those played by Diane Keaton, Talia Shire and John Cazale, really stand out.
The second outstanding point, similar to the first film, is the beautiful visuals. Although all of the cinematography and production design is great, what really impressed me were some of the darkly lit scenes. Characters and features of sets emerge from pitch-blackness, and everything is rich, deep shades of burgundy, brown, and orange. Amazingly, nothing gets lost in these scenes. It must be incredibly difficult to achieve without making the shots too dark, because I can't remember another film since that has been able to capture the same look. The flashback scenes are also in similar, but lighter, colors, creating an appropriate sepia-tone feel.
Although the broad perspective problems are unfortunate, a closer focus on most segments of the film provides exemplary artistry. Given that, and the film's importance culturally, The Godfather Part II is a must-see.
The Godfather (1972)iMDB Rating: 9.2 Date Released : 24 March 1972 Genre : Crime, Drama Stars : Marlon Brando, Al Pacino, James Caan, Diane Keaton Movie Quality : HDrip Format : MKV Size : 700 MB
The story begins as "Don" Vito Corleone, the head of a New York Mafia "family", oversees his daughter's wedding with his wife Carmela. His beloved son Michael has just come home from the war, but does not intend to become part of his father's business. Through Michael's life the nature of the family business becomes clear. The business of the family is just like the head of the family, kind and benevolent to those who give respect, but given to ruthless violence whenever anything stands against the good of the family. Don Vito lives his life in the way of the old country, but times are changing and some don't want to follow the old ways and look out for community and "family". An up and coming rival of the Corleone family wants to start selling drugs in New York, and needs the Don's influence to further his plan. The clash of the Don's fading old world values and the new ways will demand a terrible price, especially from Michael, all for the sake of the family.
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Review :
The Godfather
Engrossing motion picture that features some of the finest editing, cinematography and performances ever. There is a wonderful theme of family that runs through this film and its later sequels. No one is truly judged. Love is unconditional. God is the one who truly judges. Easily, the word masterpiece describes this film, but that's been said by so many...Who am I to argue? Masterpiece is right on the money.